Thursday, February 9, 2012

Preparing Panels for Painting


Preparing the Wood Panel w/Gesso

The Process:

  1. Before applying gesso wipe off any excess dust with a towel and remove residual oils by gently cleaning all sides of the panel with a clean towel and rubbing alcohol. You are now ready to start applying the gesso.
  2. With a soft square brush, my favorite being a 1” Loew-Cornell 1177 Brown Nylon (also great for varnishing), brush on a thin coat of regular acrylic gesso in a horizontal direction to the face. Work the gesso in to the surface and sides and lightly level out the brush strokes. Let it dry for approximately 2 hours.
  3. Recent research into archival methods has suggested that one should leave the back side raw as outgasing occurs with most manufactured woods, especially plywoods which have layers of synthetic glues.  I agree with this finding and therefore leave the backs of my panels free of any agents.
  4.  Once the face is completely dry. Lightly sand all sides with 200 grit sand paper focusing on sanding down high spots and very slightly rounding the edges.
  5. Wipe away dust with a dry towel and apply gesso perpendicular to the first coat. Sand let dry for about 6 hours and repeat this step always apply perpendicular to the previous layer until you have completed 5 coats.
  6. Sand the final regular gesso coat and apply Golden (brand) Sandable Hard Gesso is the same fashion, sanding between coats until you’ve applied at least 3 coats. The Sandable Hard Gesso is excellent for achieving an ivory finish in about half the sanding time. Let completely dry for at least 8 hours.
  7. After the final coat is dry sand with 200 grit sand paper until you have reach your desired surface texture. Personally I like a perfectly smooth ivory-like finish so that the tooth of the panel doesn’t detract from the realism effect. Wipe away dust and you are ready for the sealing layer
  8. I usually draw a pencil outline of my composition directly on the panel, this step helps to seal the pencil so that the graphite doesn’t lift while painting. Sealing will also help reduce the gesso’s absorbency and keep the paints oils from “sinking in” leaving you with dead/flat spots.

Monday, February 6, 2012


GM Wood Panels    Price List   (Add $1.50 ea. for primed boards)
Will build to order.  818-472.2167 or gmwoodpanels@gmail.com
I usually ship via FedEx and that cost would be determined by Zip, height, width and length as well as weight. If you decide to order I can get an idea from my FedEX calculator of the cost to ship these items.
FLAT PANEL 
      


FLAT PANEL       
4x4         $3.98
5x7         $4.38
6x6         $4.38
6x8         $4.68
8x8         $4.85
8x10       $5.25
8X12      $5.45
9x12       $5.75
10x10    $5.95
10x22    $11.25
11x14    $7.95
12x12    $8.25
12X14    $8.75
12x16    $9.25
12x18    $9.50
12x24    $12.25
14x14    $9.75
16x16    $10.25
16x20    $12.25
18x18    $10.75
18x24    $13.75
20x20    $14.50
24x24    $15.25

DEEP PANEL 3/4" CRADLE


5X7        $5.25
6X6        $5.75
6X8        $6.25
8X8        $7.00
8X10      $7.75
8X12      $8.00
9X12      $8.75
10X10    $8.75
10X22    $13.25
11X14    $10.00
12X12    $9.75
12X14    $10.25
12X16    $11.75
12X18    $12.50
12X24    $15.50
14X14    $11.50
16X16    $14.85


DEEP PANEL 1-5/8" CRADLE


16X20    $16.25
18X18    $15.85
18X24    $19.95
20X20    $17.50
24X24    $25.25


CENTER/CORNER  BRACED          


24X30    $32.25
24X36    $37.75
24X48    $42.25
30X30    $40.75
30X40    $51.25
30X60    $129.95
36X36    $57.25
36X48    $75.25

Custom Panels sizes prices are calculated at .o5 Cents per square inch, not including shipping costs.

Friday, February 3, 2012

Some of my personal favorites on Wood Panels
About Wood Panel Painting

The term 'panel painting' denotes a picture painted on a panel (either a one-piece or multi-piece panel), usually made of wood, although metal and other rigid materials are used. Until canvas became popular in the sixteenth century, most movable paintings in Europe (viz, excluding murals or artworks on vellum) were created on panels. Indeed, right up until 1600, panels were as common as canvases.


They were especially popular with painters producing altarpiece art and miniatures, who might use wood or copper (even slate) panels.

Wooden Panels

The preference of most Italian Old Masters was white poplar, while Dutch, Flemish and other northern European painters tended to use oak. Other types of panel wood included: beech, cedar, chestnut, fir, larch, mahogany, spruce, teak and walnut. Among modern artists, synthetic materials like fibre-board and plywood, are popular.

HistoryAlthough panel painting in Greek art was quite commonplace, most Greco-Roman panel art has been destroyed. The largest surviving group of panel paintings from Antiquity are the Egyptian mummy portraits, dating from about 100 BCE to 250 CE. However, the finest ancient examples are the Byzantine panel pictures in Saint Catherine's Monastery, Mount Sinai, completed about 400-600. Later, towards 1200, changes in church practices (aligning both priest and congregation on the same side of the altar) provided space behind the altar for an icon or religious image and thus caused a revival in fine art panel painting. Panels became a popular form of Russian medieval painting, being well developed by the Novgorod school of icon painting. Three of the greatest Byzantine/Russian icon panel painters include: Theophanes the Greek (c.1340-1410), founder of the Novgorod school; his pupil Andrei Rublev (c.1360-1430), famous for the Holy Trinity icon; and Dionysius (c.1440-1502), noted for his panels executed for the Volokolamsky Monastery. Typical icongraphy included Jesus Christ or the Virgin, alone or accompanied by saints.